Category Archives: Galleries

What did I do all year?

Kitchen bench and cabinet

This year seems to have been crazy busy. A lot of my time was taken up with making for the ‘Out of the Forest’ exhibition – but surely I did more than that? I know I’m not the fastest maker out there, and I am retired, but I’m not that slow – or am I? Time to take stock.

After a dive into the various photo storage sites I have, plus a bit more, I realised that not all of my work has been recorded as images, and there are plenty of other domestic activities which get me out of the shed – lawns, baking days, shopping runs, duty days at Ferry Park, etc. However, we did get a fair bit done.

The big job in the first half of the year was to finish painting the house and to replace the flooring in four rooms in the house. We laid a hybrid floating floor system, and in two of the rooms, the flooring was laid in a herring bone pattern! The videos etc on the computer make it look easy. It might be easy if you have learned all the tricks of the trade – I had much to learn. I have no photos!

Realeaux Triangle in curly Mango

The first piece finished was the Realeaux Triangle in curly Mango. This piece was entered in the Wood Symphony Gallery ‘Turned and Sculpted’ on-line exhibition and was sold to a US based collector.

A Realeaux triangle is one of an interesting family of geometric shapes. The Realeaux forms all have a constant width or ‘diameter’, like a circle. Look it up on Wikipedia!

Bud Form – Silky Oak

I finished another sculpture in the first half – a small ‘Bud Form’ in Silky Oak. This was pretty much a prototype for a larger piece in curly Mango that has only just been started!

I spent a bit of time giving a colleague and fellow Clarence Valley Woodworker a hand to make his first piece of furniture – a rocking cradle for his soon to be born grandson. While this was happening, I began working on a hall table.

From around May through September, I was working on pieces for the exhibition.

Realeaux Triangle #2

First off was a smaller Realeaux triangle – also in curly Mango. This piece was made partly in response to a query from Wood Symphony Gallery.

Sci-fi Tri-spoke sculpture – curly Mango

The ‘Sci-Fi Tri-spoke’ came from an idea I saw on Pinterest, but significantly altered and developed until the original is only vaguely recognisable. The shape of piece reminds me of spaceships in old sci-fi comics when I was kid. This was a challenging piece to build. Although the blank was one heavy billet of mango wood, the piece is surprisingly light.

Hall table – Sily Oak inlaid with butterfly keys and a dragonfly

I had made a similar table in Banksia – this one was from a piece of Silky Oak that had been leaning against the wall of my shed for a few years. It had several small fissures in the top – these were filled with resin, then rows of Red Cedar butterfly keys were inlaid. The design required balance, so a Dragon fly was inlaid in the right hand side. This piece sold soon after the exhibition closed.

This clock and whiskey cabinet had been on my to-do list for a few years. Red Silky Oak, Red Cedar and some Camphor Laurel for the cabinet back. On the card, it says that the clock would suit a temperance household…

A boxed set – matching live edged boxes in Tipuana with glass by Su Bishop

A ‘Boxed Set’ or a set of boxes. Five boxes in Tipuana, lined with Jacaranda, and topped with glass by the wonderful Su Bishop of Xandolla Glass Art. I put them into the ‘Out of the Forest’ exhibition as a set, not for sale seperately. The Tipuana has a black stain in the sapwood, and the creamy heartwood will redden with time. The boxes have a live edge all round, and mitres of Australian Red Cedar.

Mobius #7 – Mango

Another Mobius piece, this one exploring the relationship between inside and outside diameters. I spent a lot of time chasing the lines and curves. This was made for the ‘Out of the Forest’ exhibition. Curly Mango, finished tung oil and wax. Happy with that.

Once the work for the ‘Out of the Forest’ exhibition was done and dusted, it was back to the accumulated backlog of stuff for our house and other work I promised for others.

Caravan Shelter

The first of these jobs was to build a shelter to protect the caravan from weather damage – especially the effects of sun and hailstorms. The shelter replaces an existing structure which had a few issues. The shelter was delivered in kit form. I demolished the existing structure, excavated and poured the footings, and with the help of a neighbour (thanks Tim Gherke!) erected the shed. There were plenty of lessons to learn along the way. We still have to put some drainage in place – but that will come next year.

Handrail on the deck outside Su’s shed.

Next was a handrail around the deck on Su’s shed. The main plan was to provide a good handrail to go up and down the steps to make it safer. Su is prone to a bout of vertigo from time to time. The handrail was made from recycled treated pine, and is really quite solid.

Kitchen bench and cabinet – Camphor Laurel, Flooded Gum and laminated pine.

The last big job to get finished was the kitchen bench and cabinet under for Su. Su chose the Camphor Laurel slabs back in March, but the ‘Out of the Forest’ show meant that nothing got done for the next seven months. The cabinet houses a small electric oven that we often use instead of the big oven for sheet bakes, warming food, etc. There is also space for recipe books, and odds and sods that normally litter the house. The cabinet is made from laminated pine, with a white washed paint finish, sealed with a flat water based poly sealer. The slabs for the bench were flattened and thicknessed by hand. The brackets and butterfly keys are Flooded Gum.

There are, of course, numerous other small jobs that got done along the way that I’ve ignored.

It’s easy to forget our achievements. We seem to be more inclined to remember the problems, the failures or other misadventures. It wasn’t until collected all of these photos that I began to appreciate the output. We should all take the time to remind ourselves of our achievements and the good things we’ve done. Do it now!

‘Out of the Forest’

I was in a proper exhibition in a proper art gallery!

I am 74 year old retired engineer who grew up on a farm and worked with machinery almost as soon as I could walk. As a young man, I rode and raced motorcycles, and worked in motorcycle workshops, before I returned to Universty studies and became a professional engineer. I have no formal art training – my schooling was all mathematics and sciences. If you had suggested to a 20 year old me that I would sell art works through a gallery, I would have called you a crackpot. But here we are!

Out of the Forest was a three man exhibition – Pat Johnson, Andrew Grady and myself – woodworkers all.

Pat Johnson is a well known and highly regarded professional wood turner. Pat has worked demonstrating wood turning in the US and throughout Australia. Pat’s father-in-law taught him how to turn wood, and Pat was a good learner. His output ranges from commercial production (turning balustrades and the like for builders, through craft markets (pepper grinders, bowls and platters) through art pieces produced to sell in galleries. Pat calls himself The Travelling Woodturner and has been known to take his workshop with him as he traveled around Australia.

Pat Johnson’s wonderful mushroom farm!

Andrew Grady is a woodworker with many years of experience. He is part saw miller, part cabinet maker. He has a well equipped workshop, with some chunky machinery. He is also a man of many talents, having worked for many years in the oil drilling industry, with expertise in safety operations.

Andrew’s Love Seat from Jacaranda with Purpleheart inlays

I have a lot less experience as a woodworker! When we were first married, we had three kids and not much income. I made furniture that we needed – mostly chipboard and hardware shop pine. I did some renovations to the houses we lived in. I had the basic skills with tools, but no training in woodwork. It wasn’t until about 2004 or so that I started to take woodwork more seriously. I got some better tools, and I read a lot about furniture design and construction. Every project involved something new, something I had never tried before, and with every project, my skills (and tools) got better. At some point, I worked out that if I was going to put all that effort into a project, I might as well use good timber. Then about 4 years ago, I did a brief workshop on wood carving and sculpture.

Mobius #7 – Curly Mango

I met Pat and Andrew when I joined the Clarence Valley Woodworkers Association (then known as the Northern Rivers Woodworkers Association). Pat and Andrew are both long time members – I was new in the district. Around that time, Mark McIntyre and Steve Pickering started up the Coldstream Gallery Ulmarra, and were looking for artists. Pat, Andrew and I sold our work through the gallery from then. Initially, I was just selling bookmarks and small treen, but as I got more adventurous, Coldstream Gallery started to sell some of my boxes and sculptural pieces.

Wall piece – various timbers

Around February this year, Pat asked me to join he and Andrew in an exhibition that he was arranging for the Coldstream Gallery’s exhibition space, The Black Room. The exhibition was scheduled for late August, early September. My first reaction bordered on panic – there was a lot of work to be done, pieces to make, and only six months or so. When the second wave of Covid ramped up, lockdowns required that the exhibition be postponed. As it happened, all three of us needed the extra time to get our pieces made and finished. We each produced four or five major pieces, and a number of smaller pieces.

Pat’s Banksia Vase

The exhibition kicked off on Saturday 9 October. A few days before hand, we dropped our work off the gallery. I got my pieces there in a single trip, and while I was unloading, Andrew arrived with a couple of his large pieces. Andrew’s pieces were stunning, especially the red cedar and glass coffee table!

Andrew’s Burl Table – Red Cedar

The first time I saw the exhibition assembled was when I turned up for the opening on the Saturday morning – and I was blown away! It looked fabulous. The collection of pieces that had been worked on for six months or more was stunning. I couldn’t believe I was part of this! And the comments from visitors were just great!

Pat’s extraordinary Dragon Fly – Ebony

Outside the gallery, the state was still under Covid restrictions, and travellers were staying away, so numbers were down. None the less, we did have some good sales. The gallery offered to let us extend the exhibition for a few more weeks. According to the gallery, the exhibition was very well received, and even in the last week, people were visiting the gallery to see the exhibition.

Andrew’s Chevelle Mirror – Jacaranda

When I agreed to join the exhibition, I knew that it would involve six months of concerted effort, and very little else would be done around the house. Since the exhibition ended, I have been in catch up mode. However, I still have a backlog of pieces I would like to make, and I look forward to getting back to my work early next year.

Being part of the exhibition turned out to be a very exciting thing. The feed back (and sales) were just great. The challenge of putting together the pieces and getting them done was significant, and I didn’t get to make all the pieces I wanted to make, but I am proud of the work we put on display.

Hall table – Silky Oak

Would I do it again? Yes – but with about 12 months lead time!

Who knows?

Box Set – Tipuana, glass by Su Bishop

Apologies for the quality of the photographs! All of the in-gallery shots were taken using a mobile telephone as a camera. I have said before that as a camera, a mobile phone is useful for happy snaps at children’s parties. I se no reason to change my view.

More boxes…

Back in November, I posted about box making and included photos of six boxes that were on my bench. Three of the boxes were finished, and the post included some glamour shots.

This box – a collector’s box of Banksia, Camphor Laurel and Red Cedar – was entered in the Lower Clarence Arts and Crafts Association’s Phyllis Austin Award at the Ferry Park Gallery and was awarded an honorable mention. The box sold during the exhibition. The other two boxes were promised to Cowper Gallery for their annual Collectibles exhibition, and are now with the Coldstream Gallery in Ulmarra.

The remaining three boxes were completed, however I neglected to post any images of them. Time to rectify that!

The ‘Tree of Life’ box was made from Crow’s Ash, Coastal Cypress, Red Cedar and Jacaranda. This one went to Art Aspects Gallery in Lismore and sold before Christmas.

This little box was made from Blackbutt, Apple, Red Cedar and Flooded Gum. Concealed hinges and magnetic fasteners gave a very clean look. All in all, I was very pleased with the outcome. Currently available at Art Aspects Gallery, Lismore.

The final box was made from Flooded Gum, Coastal Cypress and Camphor Laurel. The design on the front was an adventure – it is so hard to draw a recognizable figure in low-res silhouette. I like the tree, and it deserved to have something else to share the space, so the little man took his place. Happy with these – also currently available at Art Aspects Gallery, Lismore.

The winner is only as good as the rest…

The Lower Clarence Arts and Crafts Association held it’s annual Phyllis Austin Award completion this week, and the work is now on display at the Ferry Park Gallery. The award is open to all members of the LCACA who have not previously won the award. The artists and crafts people who enter include painters, basket weavers, ceramicists, woodworkers, sculptors, glass workers, jewellery makers, quilters, embroiderers, weavers, spinners and more. My entry – a wooden box – was good enough to be awarded a Highly Commended.

The competition is particularly difficult to judge, because of the variety of arts and crafts involved. The judge needs to weigh up the work in so many different mediums and crafts – for example comparing weavers and woodworkers to quilters and painters.

Pam Birrell with her painting and the Phyliss Austin Award

This year’s winner was painter Pam Birrell, for her watercolour. Pam produces mainly with floral paintings, and her work is consistently of a very high standard.

I would encourage artists and craft-workers to enter competitions – not because you think that you might win, but because the winner is only as good as the artists who entered. You might not win, and you might not agree with the judge, but the entries received set the standard by which the winner is judged.

Much as I would like to have won the competition, I am delighted to have received a High Commendation behind Pam Birrell.

Delighted!

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‘Essence of Brooms Head’ – Coastal Cypress and Brooms Head beach rock

Pleased to have been awarded a Highly Commended for the Lower Clarence Valley Art and Craft Association’s Phyllis Austin Award.  Th Phyllis Austin Award is an annual event, entry limited to LCVACA members.  The winner gets to be custodian of a John van der Kolk sculpture (The Sleeping  Platypus) for a year.  (I would love to have a piece by John van der Kolk in our home – even if it is only for a year!)

The award was named for a lady who was the driving force in getting the funding for the LCVACA gallery – the Ferry Park Gallery.  Unfortunately, poor health took her before the gallery was opened, but she is remembered by this award.  One of the unusual aspects of this award is that it is open to a very broad range of crafts and art.  Weaving, spinning, quilting, embroidery, pottery, woodwork, jewellery, sculpture as well as painted art in various mediums, print making and so on – it would be very difficult to judge!

This year’s judge was Niomi Sands, Director of the Grafton Regional Gallery.  Niomi selected jeweler and silversmith Bobbie Winger to receive the Phyllis Austin Award and to be custodian of the Sleeping Platypus for the next year.

Niomi handed out two Highly Commended awards – one to weaver Chris Lokes, and the other to me for my ‘Essence of Brooms Head’.  Delighted!

Mobius #5 – The Paperclip

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Meet Mobius #5 – also known as The Paperclip.  I started work on this fellow back in November when I was demonstrating at the Clarence Valley Woodworkers annual Jacaranda Exhibition, and was finished in time for the Lower Clarence Arts and Crafts Assocation’s Phylis Austin event.

Today, I took him to Coldstream Gallery – he is for sale.  But on the way, it occurred to me that I hadn’t taken a photo of him – shock and horror!  Out with the mobile phone and gallery lighting – one crap photo later…  I know lots of folks take lots of photos with mobile phones – mobile devices in general – and some of them are very good.  But lots are dreadful.   For a phone, a mobile takes a pretty good picture, but is isn’t a camera.

Thinking that I only had the crap photo, I posted on social media – better something than nothing.  Later this evening, as I was fossicking though some files on the computer – I found a bunch of proper photos, including this one.  OK – technically not brilliant, but way better than the crap photo…

Post again…

(I hate it when other folks fill the bandwith with their latest efforts…)

Artist of the Month…

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Ferry Park Gallery is a local community gallery, run by the Lower Clarence Arts and Crafts Association.  The gallery came about after fundraising and lobbying by the association members, who raised a substantial sum of money for the construction of a dedicated facility between the highway and the Clarence River.

The gallery exhibits the work of members, and exhibiting members take their turn to staff the gallery.  Everything is done by exhibitors and volunteers!

One of the features of the gallery is a space devoted to ‘Artist of the Month’.  Members nominate, and are allocated a month to display their works.

I never intended to nominate for Artist of the Month.  Being AOTM requires a significant commitment in making stock and also in providing a good display.  The benefit is that the AOTM has his work in the best location in the gallery, with (potentially) increased sales.  The downside is that making stock and replacing sold stock takes a lot of work!

Despite that, here I am, AOTM in conjunction with the wonderful Lynne Gehrke, artist and horsewoman.

I spent half or December and all of January making treen – boxes and plates and turned dishes and trivets and more.  We also pulled out a bunch of work that Su and I did together – jewellery and sculptural pieces.  In the end, I’m happy with the display – I think we did it justice.

It will be a couple of years before I am eligble to be AOTM again, but next time, Su and I will do a joint display.

 

Sold!

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This piece is off to a new home!  Steve and Mark at Coldstream Gallery Ulmarra sold this piece for me – many thanks!

This piece is the result of a few diversions around an initial idea.  I had toyed with the idea of making a Mobius shape that brought a mask to mind.  Unfortunately, there were a couple of issues.  Bright ideas in the middle of the night lead us down a different track.  One thing followed another until this form made itself known.

None the less, it is a very showy piece of camphor laurel.  Happy with that.

Sold!

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The guys at Coldstream Gallery sold this piece the other day – it was only a few weeks ago that I took it in to them.  Delighted!

I was talking the other day to a fellow Clarence Valley Woodworker about the mixed emotions associated with selling our work.

Firstly, when we put a piece of our work out there for sale, there is a certain amount of uncertainty.  A good deal of physical and emotional energy goes into a piece, and our own feelings about it may be mixed.  There is always something we could have done better, or differently.  Regardless of whether we actually like the result, we wonder why anyone else would like the piece, why they would pay good money and put your work in their home.

It is great to meet buyers, people who like your work.  Sometimes, when people obviously love your work, you feel like giving to them!  So when the gallery sells some of our work, we feel very grateful, gratified that someone saw value in the piece.

But on the other hand, once the piece goes out the gallery door, that piece is gone – never to be seen by us again.  That’s a sense of sadness.

In all of this, the money is only secondary.  The price paid is an indication of the value that the buyer placed on the work, and that’s the gratification.  Of course, the flip side is that we never know if the price was too low, if the buyer would have put a higher value on the work.  And if a piece doesn’t sell, is  it because it was too expensive?  Or is it just that no one likes it?

But for this piece – it sold and I’m delighted!  Good luck and many thanks to the buyer.

And my thanks to the guys at Coldstream Gallery.  Visit them sometime, or check out their website or Instagram page.